Sound, in-house.
Full audio post from the set to the final mix, done by our own team in our own rooms. When a project needs more — picture, music, immersive — we bring in studios we trust.
- 01Capture
Sound recorded on set and in the booth.
- 02Edit
Every line and every step made ready.
- 03Design
The sonic world, built layer by layer.
- 04Mix
Everything balanced, on our stages.
- 05Deliver
Checked and packaged to spec.
Eight services. One team.
01 · CaptureOn-Set RecordingA production sound mixer on your set, recording clean dialogue and wild tracks so post starts with material you can actually use.Details
- Location sound recce and planning with the director and DoP
- Boom and wireless mics, multitrack recording with timecode
- Sound reports, room tone and wild lines
- On-set monitoring and daily backups
- Synced multitrack files with timecode
- Sound reports and wild tracks
- Room tone for every location
- Script and shooting schedule
- Locations and camera / timecode setup
The people who record are the people who edit and mix, so your set is recorded with post in mind.
02 · CaptureVoice-over / DubbingDirected sessions in our booths in Warsaw and Kyiv: narration, character voices and dubbing to picture.Details
- Session direction and cue-based recording
- Comping, editing and sync
- Cleanup and level matching
- Edited, synced takes, ready for the mix
- Script or cue list
- Picture reference
- Talent schedule
Two cities, two booths: talent can record on either side, and you still get one consistent sound.
03 · EditDialogue & ADRWe make every line clear, consistent and seamless. Where a take cannot be saved, we record it again.Details
- Dialogue editing and sync
- Noise, hum, click and clipping repair
- Room-tone fills and tonal matching between takes
- ADR spotting, cue lists and directed ADR sessions
- Clean, premix-ready dialogue tracks
- ADR cue list and recorded, synced ADR
- OMF / AAF and original audio files
- Picture reference with burnt-in timecode
Restoration first, ADR second: difficult location audio is saved wherever possible, so you need fewer ADR days.
04 · EditFoleyFootsteps, cloth and props, performed to picture. Foley is what makes the image feel alive.Details
- Spotting the film for foley
- Performance and recording to picture
- Editing and sync
- Foley tracks split by category: footsteps, moves, props
- Locked picture
- Spotting notes, if you have them
Foley is delivered as part of the M&E, so international versions come ready.
05 · DesignSFX & AmbienceThe sonic world of the film: backgrounds, hard effects and designed elements.Details
- Spotting session with the director
- Ambience beds and backgrounds
- Hard effects, designed elements and custom recording
- Library and original sound
- FX and ambience tracks in stereo or 5.1
- Locked picture
- Reference films or notes on the sound you want
Sound design is built for the mix: every layer is named, split and ready for premix.
06 · DesignMusic EditorialFitting temp, licensed and original music to picture, so every cue lands where it should.Details
- Cue placement and timing
- Edits, fades and transitions
- Stem handling
- Cue sheets
- Music tracks and stems, ready for the mix
- Cue sheets
- Music files: temp, licensed or original
- Composer or licensing notes
Music is cut by the same team that mixes it, so it sits in the mix from the first premix.
07 · MixMixing 2.0 / 5.1Premix in our rooms, final mix on the mix stage.Details
- Premix of dialogue, FX, foley and music
- Final mix with review sessions
- Revisions
- Loudness set to the delivery platform
- Printmasters in stereo and 5.1
- Stems for your deliverables
- Locked picture and delivery spec
- Deadline and review schedule
A two-step mix for cinema and series, on one template, so every episode sounds like the same show.
08 · DeliverDeliverables & QCEverything the distributor asks for, checked before it leaves the studio.Details
- DME and M&E, following the Hollywood scheme
- Stems and printmasters in 5.1 and 2.0
- Loudness reports
- Format conversions and file naming to spec
- A complete, checked delivery package
- Delivery spec from your distributor or platform
We deliver to platform spec, and we check it before you do.
Every format has its own sound.
- TV Series96
One template for every episode: a consistent mix, fast turnaround and per-episode delivery.
- Documentary22
Clarity for difficult location and archive audio.
- TV Program16
Broadcast-spec delivery on tight deadlines.
- Short Film13
The full film treatment, scaled to the size of the project.
- Feature Film11
A two-step mix for the big screen: premix, then final mix on the stage.
- Commercial11
Broadcast-spec delivery on tight deadlines.
- Vertical Drama4
A fast, punchy mix built for phones.
- Short2
- Game2
- Music Video2
Sound and music working together to picture.
One brief. 48 hours.
- 01DirectSound, in-house. Our team, our rooms, one schedule.
- 02ManagedThe whole post, one contract. We supervise picture, color, VFX and music with partner studios and answer for the delivery.
- 03NetworkNeed a partner directly? We'll introduce you to studios we trust.
- Picture reference with burnt-in timecode
- OMF / AAF and original audio files
- Script or spotting notes
- Delivery spec and deadline
- Runtime and number of episodes
- Format: stereo, 5.1 or both
- Condition of the dialogue and the ADR needed
- Languages and versions
- Deliverables and deadline
Tell us what the project needs.
We'll say honestly whether it's sound only, or sound with partners — and who should do what.